preachfood: ‘She can paint a lovely pictureButThis story has a twist.Her paintbrush is a razor,And her canvas is her wrist’  She can paint a lovely pictureButIt’s not a lovely thingFor her media is her bloodAnd her canvas is her skin. She can paint a lovely pictureButYou see the problem isHer paintbrush is a craft knifeAnd the body she paints is his She can paint a lovely pictureButGenerally she won’tFor her art is screamingAnd tearing out her throat She can paint a lovely pictureButIt’s of a different kindFor the art which she makesIs only in her mind She can paint a lovely pictureButThese stories aren’t the sameAs what you think of picturesAnd they’re fully covered with shame.
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preachfood:

‘She can paint a lovely picture
But
This story has a twist.
Her paintbrush is a razor,
And her canvas is her wrist’

 She can paint a lovely picture
But
It’s not a lovely thing
For her media is her blood
And her canvas is her skin.

She can paint a lovely picture
But
You see the problem is
Her paintbrush is a craft knife
And the body she paints is his

She can paint a lovely picture
But
Generally she won’t
For her art is screaming
And tearing out her throat

She can paint a lovely picture
But
It’s of a different kind
For the art which she makes
Is only in her mind

She can paint a lovely picture
But
These stories aren’t the same
As what you think of pictures
And they’re fully covered with shame.

(via hazel-demon)

Source: separatinq

razorshapes:

Dukno Yoon

Wings

Movement and interactive relationship with the body has been the most important element throughout my body of work. However through these works, I also started to explore the mechanical structure as a form. Mechanical structure becomes the most enjoyable form to me as it becomes complex yet remains simple and coherent. The contrast between metal structural form and natural feather, together with the repetitive and whimsical movements of fragile wings, provokes the imagination and evolves the intimate relationship between work and viewer/wearer. Although the recent series, segmented wings have been focused on the formal challenge to engineer an intricate movement that simulates bird wings, these works are intended to be a series of poems in which I develope my own formal language, interpret the nature of wings, create various structural forms with movements, and share the metaphor, imagination, humor, with viewer/wearer.

(via lllea)

Source: razorshapes